simulacrum

英 [ˌsɪmjuˈleɪkrəm]

美 [ˌsɪmjuˈleɪkrəm]

n.  假象; 模拟物; 幻影

BNC.43430 / COCA.25529

牛津词典

noun

• 假象；模拟物；幻影
  something that looks like sb/sth else or that is made to look like sb/sth else

英英释义

noun

• a representation of a person (especially in the form of sculpture)
  1. the coin bears an effigy of Lincoln
  2. the emperor's tomb had his image carved in stone
  Synonym:effigyimage
• an insubstantial or vague semblance

双语例句

• Study on migration of antioxidant 1076 from HDPE film to fatty food simulacrum
  HDPE膜中抗氧剂1076向替代脂肪类食品模拟物迁移的研究
• It all adds up to a simulacrum of French village life but without the tedium, because you are in the epicentre of civilisation.
  这全都构成了法国乡村生活的假象，不过并没有乡村生活的单调，因为你正身处文明的中心。
• It is a place of disenchantment, a simulacrum of accumulation against death.
  它是一个没有魅力的地方，对抗死亡的一个幻影。
• A close interrogation of postmodern theories of Jean Baudrillard, especially the theory of simulacrum, reveals the origin of "simulations" frequently depicted by White Noise in the second part.
  第二部分依托让·鲍德里亚的后现代社会理论，以“模拟”理论为重点，试析《白噪音》中比比皆是的“模拟”现象其根源所在。
• These characters in the novel are blind to reality merely pursuing their selfhood in a simulacrum order.
  小说中的人物对现实视而不见，而是在拟像秩序中寻找自我。
• Appears a simulacrum of his own.
  却仅呈现为他自身的幻影？
• Television image has become independent from film image gradually, and with the media technology development constantly enriches the connotation of the concept, it includes images in electronic technology period, simulacrum of digital technology phase, video with the combination of television and Internet technology.
  电视图像是从电影图像逐步走向独立，并随着媒介技术发展不断丰富其内涵的概念，它包括：电子技术时期的影像；数字技术阶段的拟像；电视与网络技术结合后的视像。
• Facing the era of the hyperactive visual culture, the globalization desire of the image consumption becomes the most significant narrative agent in contemporary China. The re-exploration and re-analysis of Simulacrum China indicates the coming-soon turning point of the cultural study.
  面对着一个视觉文化过度活跃的时代，视觉消费的全球化欲望成为当下最重要的中国叙事动因，对拟像中国的再探索与解析，预示了文化研究转折点的来临。
• With volumes of sample points, we may produce simulacrum that can reflect real geographical information from original figure.
  通过采集大量的样本点信息点，我们可以构造出能真实反映地物原貌的图形。
• On the one hand, it points to the feelings of cultural identity; on the other hand, it mixes the consumption and constructs the visual simulacrum in the urban consumer space. This post-modern landscape has become a unique social phenomenon.
  它一方面指向身份认同的情感归属，一方面与消费主义混杂一隅，不断地在城市的消费空间中构建某种视觉拟像，这一后现代景观现已成为上海新都市文化空间的奇特一景。